![]() A few of the tracks even take the sound they had sorted out before and do some interesting updates, like the stuttering rocker "Bury Me" that leads off the album with a swift kick of delightful pop. There are some good examples of that here, like the fizzy "Bang It Out," the synth-heavy "Collide," and the sweet "Shadows," to name a few, and if they had stuck to that sound with a few variations of tempo and mood, the album would have been another fine slice of bubblegum emo. Silly as it might sound, the formula worked really well for the band. Sort of like Jimmy Eat World mixed with Daft Punk, with an emo Archie singing lead. ![]() ![]() Their previous albums stuck pretty close to a basic feather-light emo-pop template, with lots of sugary hooks and spit-shined electronics. It seems that perhaps Even was a steadying influence over David Schmitt's ambitions and tendencies to be a musical dilettante. ![]() The subtraction of Even's gruff and growling vocals is a big factor in sound of their fourth album, Savages, but his departure did much more. After releasing their brightly fun and danceable third album Hell Is What You Make It, one of Breathe Carolina's co-founders (and co-vocalists), Kyle Even, left the band.
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